Cineverse Corp. quarterly report, Q2 FY2022

Cinedigm Corp. (NASDAQ: CIDM) — Form 10-Q Summary

Business context and reporting period

The filing is for the fiscal quarter and six months ended September 30, 2021; the company identifies itself as Cinedigm Corp. It operates a Cinema Equipment business, providing services to more than 4,822 screens, and a Content & Entertainment business distributing film and television content across digital, streaming and physical channels. Dollar amounts below are in millions unless noted.

Financial performance and liquidity

MetricThree months ended Sept. 30, 2021Three months ended Sept. 30, 2020Six months ended Sept. 30, 2021Six months ended Sept. 30, 2020
Revenue$10.103$7.182$25.118$13.200
Operating income (loss)$(1.414)$(5.059)$1.360$(7.674)
Net income (loss)$(0.195)$(26.566)$4.999$(46.436)
Net income (loss) attributable to common stockholders$(0.273)$(26.632)$4.825$(46.577)
Adjusted EBITDA (non-GAAP)$0.672$(1.101)$6.152$(1.306)

Calculated operating margin was approximately (14.0)% for the quarter, versus (70.4)% a year earlier; for the six months it was 5.4%, versus (58.1)%. Diluted EPS was approximately $0.00 for the quarter and $0.03 for the six months, compared with losses of $0.23 and $0.45, respectively.

  • Revenue mix: Quarterly Cinema Equipment revenue was $3.253 million (up 406%), including $2.244 million of digital system sales; Content & Entertainment revenue was $6.850 million (up 5%). For six months, the segments generated $9.484 million and $15.634 million, respectively. The company attributed content growth to streaming, transactional sales, additional channels and platform distribution.
  • Cash flow: Six-month operating cash flow was $9.358 million, investing cash flow $(4.820) million and financing cash flow $(9.742) million. Cash and cash equivalents were $12.645 million at September 30, down from $16.849 million at March 31.
  • Liquidity: Current assets were $42.602 million and current liabilities $53.678 million, implying negative working capital of about $11.1 million. The company reported no notes payable outstanding at quarter-end. The East West credit facility had expired September 28, 2021; no amendment had been entered into by the filing date, and no borrowing availability was reported.
  • Balance sheet: Total assets were $83.901 million, total liabilities $56.380 million and total equity $27.521 million. Accounts payable and accrued expenses were $52.741 million. Accumulated deficit was $469.255 million.

Material changes versus the prior comparable period

  • Quarterly revenue rose 41% and six-month revenue rose 90%. Much of the Cinema Equipment increase reflected projector sales to exhibitors: six-month system sales were $7.819 million, compared with $0.091 million a year earlier.
  • Content & Entertainment revenue growth was led by OTT Streaming and Digital, while Base Distribution revenue declined for both the quarter and six-month period, consistent with weaker physical-disc sales.
  • Operating results improved substantially year over year. The six-month GAAP net income included a $1.0 million gain from the Starrise investment’s fair-value change and $2.178 million from PPP loan forgiveness and note extinguishment. The prior-year period included a $35.626 million Starrise fair-value loss.
  • Interest expense fell as the company paid off the $7.8 million non-recourse Prospect Loan and repaid the $2.0 million balance on its revolving credit facility. The $2.2 million PPP loan was forgiven, including accrued interest.
  • The company acquired FoundationTV in June and substantially all Bloody Disgusting assets in September. These acquisitions added intangible assets and goodwill; Bloody Disgusting consideration included cash, stock and an earnout.

Outlook, commentary, risks and unusual items

  • Management said cash balances and expected operating cash flows should cover contractual obligations and operating and capital needs for 12 months from filing, while cautioning that additional capital may be needed and that failure to grow revenue or control spending could harm liquidity.
  • COVID-19 recovery supported theatrical activity, but box office remained below pre-pandemic expectations. Management cited limited seating, shortened theatrical windows, potential new COVID variants and possible shifts toward streaming as risks to cinema-related revenue.
  • Other stated risks include reduced physical-disc sales, content-production delays or shortages, cord-cutting and content owners’ own streaming platforms. Streaming growth and new advertising technology were cited as potential offsets.
  • A $3.5 million non-refundable, recoupable minimum participation guarantee was agreed for a video-works distribution arrangement; the first $1.5 million payment was made October 22, 2021.
  • After quarter-end, the company entered into an equity-line agreement allowing it, subject to conditions and limits, to sell up to the lesser of $50 million or the applicable exchange cap. The purchase price includes a 5% discount to VWAP. It reported selling 5.3 million shares in October and November for net proceeds of $12.4 million.
  • Management concluded disclosure controls were not effective at September 30 because of material weaknesses in financial close/reporting and information/communication controls. Remediation efforts, including additional finance staff and external advisers, were ongoing.
  • The filing reported no material litigation proceedings and no material changes to the risk factors in the prior Form 10-K.

Important facts for investors to verify

  • Whether cash generation is sustainable after the projector sales and working-capital movements, and how the expired credit facility affects liquidity.
  • Actual timing and proceeds from post-quarter equity-line sales, the applicable exchange cap and resulting dilution; shares outstanding were 169.1 million at September 30 and 174.9 million as of November 11.
  • Performance and integration of FoundationTV and Bloody Disgusting, including earnout obligations and the recoverability of acquired intangible assets and goodwill.
  • Whether streaming growth can offset declines in physical distribution and the continuing uncertainty in theatrical releases and content supply.
  • Progress in remediating the disclosed material weaknesses and whether controls are ultimately deemed effective.
  • The quality of reported earnings: GAAP results include investment fair-value movements and PPP forgiveness, while Adjusted EBITDA is a company-defined non-GAAP measure.